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List of references

First Letter Code



Most of the books used to write the texts of this website are catalogues of museums or exhibitions. They bear a reference code of which the first letter usually refers to the country in which the museum is situated or in which the exhibition took place.

G General Works
E Encyclopaedias and World Histories
A Austria
B Belgium
Z Czechia
K Denmark
F France
D Germany
U United Kingdom
H Hungary
R Ireland
I Italy
L Luxembourg
N Netherlands
O Norway
W Poland
T Portugal
M Russia
C Scotland
P Spain
V Switzerland
S United States of America

General works



G1. Civilisation. Kenneth Clark. - BBC Books and John Murray – London. 1987.
G2. The Pre-Raphaelites. Christopher Wood. - Weidenfeld and Nicholson – London. 1994.
G3. Venetian Painting. John Steer. - World of Art. Thames and Hudson Ltd. – London. 1993.
G4. The Story of Painting. Sister Wendy Beckett and Patricia Wright. - Dorling Kindersley Limited. 1994.
G5. Gustav Klimt. Gilles Néret. - Benedikt Taschen Verlag – Köln. 1993.
G6. Les Grands Peintres et leur Technique. Publié sous la direction de Waldemar Januszak. - QED Publishing Ltd. – London. 1980. Bibliothèque de l’Image - Paris. 1993.
G7. Die berühmtesten Gemälde der Welt. Imprimatur Druck und Verlagsgesellschaft mbH – Bergisch-Gladbach. Spadem – Paris and Cosmopress – Geneva. 1976.
G8. Antwerpen. Twaalf eeuwen geschiedenis en cultuur. Karel Van Isacker en Raymond Van Uytven. - Mercatorfonds – Antwerpen. 1986.
G9. Vroege Meesters in de Nederlanden van Van Eyck tot Brueghel. Max J. Friedländer. - Uitgeverij W. De Haan NV Zeist, Phaidon Press – London. 1957.
G10. Bruges. Louis Navez. - J. Lebecque et Cie. – Bruxelles.
G11. Bruxelles à travers les ages. Louis Hymans. - Bruylant-Christophe et Cie. – Bruxelles.
G12. Les Grandes Favorites Royales. Baron Armel de Wismes. - Editions Artaud Frères – Nantes.
G13. Art in Europe 1700-1830. Matthew Craske. - Oxford History of Art. Oxford University Press – Oxford. 1997.
G14. Saint Jacques à Compostelle. Jacques Chocheyras. - Edilarge S.A. Editions Ouest-France – Rennes. 1997.
G15. La Dame de Beauté. Jeanne Bourin. - Presses de la Cité 1970. Editions de La Table Ronde – Paris. 1982.
G16. Das Kapital. Kritik der politische Ökonomie. Karl Marx. - Verlag Ullstein GmbH – Frankfurt. 1970.
G17. Kleine Italienische Kunstgeschichte. Wolfgang Braunfels, Eckart Peterich. - Walter Verlag – Freiburg im Breisgau. 1962.
G18. Les Croisades. René Grousset. - Presses universitaires de France – Paris. 1955.
G19. Histoire des Ducs de Bourgogne de la Maison de Valois. M. de Barante. - Société Typograhique Belge – Brussels. 1838.
G20. The Mask of Command. John Keegan. - Penguin Books – London. 1988.
G21. Goya – Gravures et Lithographies. Enrique Lafuente Ferrari. – Flammarion – Paris. 1989.
G22. Hungary. A brief history. István Lázár. – Corvina Books. – Budapest. 1997.
G23. Great Jewish short stories. Edited by Saul Bellow. – Laurel. Dell Publishing. – New York. 1963.
G24. Paul Cézanne. Serge George. – Edita S.A. – Lausanne. 1995.
G25. Florence. Guides Gallimard – Editions Nouveaux-Loisirs – 1993.
G26. A place of greater safety. Hilary Mantel. – Viking 1992 – Penguin Books – London 1993.
G27. Life and how to survive it. Robyn Skinner and John Cleese – Vermillion – London 1997.
G28. The Agony and the Ecstacy. Irving Stone – Doubleday and Company – London 1961.
G29. Abstract art. Anna Moszynska. – World of art. Thames and Hudson – London 1995.
G30. Concepts of Modern Art. Edited by Nikos Stangos. – Thames and Hudson – London 1994.
G31. Edvard Munch. Close-up of a Genius. Rolf E. Stenersen. – Sem and Stenersen. – Oslo 1994.
G32. A Worldly Art. The Dutch Republic 1585-1718. Mariët Westermann. – Callmann and King / Prentice Hall and Harry Abrams – New York / London 1996.
G33. Het Kunstboek. A. Butler, C. Van Cleave, S. Stirling. – Phaidon Press Limited, Waanders bv. – Zwolle 1997.
G34. Women, arts and society. Whitney Chadwick – World of Art, Thames and Hudson Ltd. – London 1996.
G35. Jacques Coeur ou l’Esprit d’Entreprise. Michel Mollat – Collection Historique Aubier, Editions Aubier – Paris 1988.
G36. Jacques Coeur. Claude Poulain – Librairie Arthème Fayard – Paris 1982.
G37. La Sainte Bible. The Biblical School of Jerusalem – Les Editions du Cerf – Paris 1972.
G38. The New Jerusalem Bible. Darton, Longman and Todd – London 1990.
G39. Le Palais de la Nation. Marcel Duchateau – Edited by the Belgian Parliament and Senate – Brussels 1989.
G40. De Heer. Romano Guardini – Editions Het Spectrum – Utrecht/Brussels 1949.
G41. Hall’s Dictionary of Subjects and Symbols in Art. James Hall – John Murray Publishers Ltd. – London 1998.
G42. Gothic Art. Andrew Martindale. – Thames and Hudson – London 1996.
G43. Histoire du Chef de Saint Jean-Baptiste conservé à Amiens. – Amiens Cathedral – Amiens 1999.
G44. L’abbaye Royale de Jumièges. C.A. Deshayes – Gérard Montfort, éditeur – Brionne around 1830; reprint Aubin à Ligugé 1980.
G45. Bulfinch’s Mythology. Thomas Bulfinch – The Modern Library – New York. 1998.
G46. Lives of the Artists. Giorgio Vasari. Translated by George Bull. – Penguin Books – London. 1996.
G47. The Civilisation of the Renaissance in Italy. Jacob Burckhardt. Translated by S.G.C. Middlemore. – Penguin Books – London. 1990.
G48. Caravaggio. Eberhard König. – Könemann Verlagsgesellschaft – Köln. 1997.
G49. The Golden Legend. Jacobus de Voragine. Translated by William Granger Ryan. – Princeton University Press – Princeton N.J. 1995.
G50. Jesus the Man. Barbara Thiering – Corgi Books, Transworld Publishers – London. 1998.
G51. Viens Seigneur Jésus. Mgr. André-Mutien Léonard – Editions de l’Emmanuel – Paris 1999.
G52. Jesus at 2000. Edited by Marcus J. Borg. – Westview Press – Boulder, Colorado. 1998.
G53. L’homme-Dieu ou le Sens de la vie. Luc Ferry – Editions Grasset et Fasquelle – Paris. 1996.
G54. Golias, Automne 1993 No34, Veritatis Splendor. Editions Golias France – Villeurbane. 1993.
G55. Piero della Francesca. Du Diptyque triomphal des Seigneurs d’Urbin à la Flagellation. Raffaele Monti – Sillabe S.R.L. – Livorno 1998.
G56. Piero della Francesco. Marco Bussagli – Art e Dossier. Giunti Gruppo Editoriale – Florence 1992.
G57. The Story of Art. E. H. Gombrich – Phaidon Press Limited – London 1999.
G58. Het Lam Gods. Peter Schmidt – Uitgeverij Davidsfonds – Leuven 1996.
G59. How we believe. The Search for God in an Age of Science. Michael Shermer. – W.H. Freeman and Company – New York. 2000.
G60. The Byzantine Commonwealth. Dimitri Obolensky. – Phoenix Press – London 2000.
G61. Autobiography. Benvenuto Cellini (translation G. Bull). – Penguin Group – London 1996.
G62. Turin Shroud – In whose Image? Lynn Picknett and Clive Prince. Corgi Books – London 2000.
G63. The Silent Witness. Documentary film by Henri Lincoln from a script by Ian Wilson. Produced and directed by David Rolfe. 1978.
G64. Our painted Past. Wall Paintings of English Heritage. Caroline Babington, Tracy Manning and Sophie Stewart. English Heritage. London. 1999.
G65. Palladio and Palladianism. Robert Tavernor. World of Art. Thames and Hudson. London. 1997.
G66. Odilon Redon. Benedikt Taschen Verlag GmbH. Köln. VG Bild-Kunst. Bonn. 1995.
G67. La peinture du Gothique. Thierry Nébois editor. Benedikt Taschen Verlag. Köln. 1999.
G68. La peinture Romantique. Under the direction of Ingo F. Walther. By Norbert Wolf. Benedikt Taschen Verlag. Köln. 1999.
G69. Kandinsky. Complete writings on art. Edited by Kenneth C. Lindsay and Peter Vergo. Da Capo Press. 1994. New York.
G70. Tapestries in Belgium. Elsje Janssen. Pierre Mardaga Editeur Sprimont (Belgium). 1996.
G71. Kandinsky. Hajo Düchting. Benedikt Taschen Verlag. Köln. 2000.
G72. Hugo van der Goes. B. de Taoul, V. Sintobin, I. Vandevivere. Le Cri/Le Musée de Louvain-la-Neuve. Brussels. 1982.
G73. Charles Degroux et le réalisme en Belgique. Jan Dewilde, J-M. Duvosquel, A-M. Meesen-Doneux, J. Ogonovszky-Steffens, D. Stark, J-P. Vanhove. Crédit Communal. Brussels. 1995.
G74. Dürer. John Berger. Benedikt Taschen Verlag. Köln. 1994.
G75. Salvador Dali. Robert Descharnes. Gilles Néret. Benedikt Taschen Verlag. Köln. 1998.
G76. Theory of Colours. Johann Wolfgang von Goethe. Introduction by Deane B. Judd. The M.I.T. Press. Cambridge. 1970.
G77. Colour. Rudolf Steiner. Rudolf Steiner Press. London 1996.
G78. Saint Sébastien. Karim Ressouni-Demigneux. Editions du Regard, distribution Seuil. Paris. 2000.
G79. The High Renaissance and Mannerism. Linda Murray. Thames and Hudson. World of Art. London. 1977.
G80. De Kunst van de 20ste eeuw. Thoth Uitgeverij – Bussum. 1999.
G81. Herfsttij der Middeleeuwen. Johan Huizinga. Uitgeverij Contact. Erven Huizinga – Nederland. 1997.
G82. Three Essays on Style. Erwin Panofsky, edited by Irving Lavin. The MIT Press - Cambridge, Massachusetts. 1995.
G83. L’art de l’empire Byzantin. David Talbot Rice. Thames and Hudson Ltd. – London. 1995.
G84. Dictionnaire des couleurs de notre temps. Michel Pastoureau. Christine Bonneton Editeur – Paris. 1999.
G85. Art et science de la couleur. Georges Rocque. Editions Jacqueline Chambon – Nîmes. 1997.
G86. Art in Theory. 1900-1990. An Anthology of Changing Ideas. Edited by Charles Harrison and Paul Wood. Blackwell Publishers Ltd., Inc. oxford and Malden. Oxford 1999.
G87. Art in Theory. 1815-1900. An Anthology of Changing Ideas. Edited by Charles Harrison and Paul Wood with Jason Gaiger. Blackwell Publishers Ltd., Inc. Oxford and Malden. Oxford 1998.
G88. La peinture du Baroque. Direction of Ingo F. Walther. By Andreas Prater, Hermann Bauer. Benedikt Taschen Verlag. Köln. 1997.
G89. Rembrandt. Michael Bockemühl. Benedikt Taschen Verlag. Köln. 2001.
G90. Duccio di Buoninsegna. Ceilia Jannella. Scala, Instituto Fotografica Editoriale S.p.a. Florence. 1991.
G91. Le retable d’Issenheim. Dossier de l’Art; L’Objet d’Art. November 2001.Albert Châtelet, Olivia Eller, Adalbert Mischlewski, Pierre Brunel, Jacques Viret, Jean Morentz. Editions Faton. Dijon. 2001.
G92. Comprendre et créer la couleur. Hajo Düchting. Dessain et Tolra. Paris. 1990.
G93. Realism in 20th Century Painting. Brendan Prendeville. Thames and Hudson Ltd. World of Art. London. 2000.
G94. Interaction of color. Josef Albers. Yale University Press. New Haven and London. 1975.
G95. The elements of color. Johannes Itten. Translated by Ernst van Hagen. Copyright Seemann Verlag Leipzig. John Wiley and Sons Inc. New York. 2001.
G96. Art and visual perception. Rudolf Arnheim. University of California Press. Berkeley and Los Angeles. 1997.
G97. Color and meaning. Art, science and symbolism. John Gage. University of California Press. Berkeley and Los Angeles. 1999.
G98. Colour Making and Using Dyes and Pigments. François Delamare and Bernard Guineau. Horizon Series of Thames and Hudson. 2000. Gallimard 1999.
G99. Harmonielehre der Farben. Harald Küppers. DuMont Buchverlag. Köln. 2000.
G100. How to use Colour in Art and Design. Edith Anderson Feisner. Laurence King Publishing Ltd. London. 2000.
G101. Fontainebleau. Amaury Lefebure. Art Lys. Versailles. 1998.
G102. Etude iconographique de la galerie François I à Fontainebleau. Dora and Erwin Panofsky. Gérard Montfort Editeur. St Pierre de Salerne, Brionne. 1992.
G103. Malerinnen aus vier Jahrhunderten. Gottfried Selo. Ellert&Richter Verlag GmbH. Hamburg. 1994.
G104. L’estampe Japonaise. Gabriele Fahr-Becker. Taschen GmbH. Köln. 2002.
G105. La peinture Russe du XVIIIe au XXe siècle. Peter Leek. Parkstone Editions. Bournemouth. 1999.
G106. Art and Illusion. E.H. Gombrich. Phaidon Press Limited. London. 2002.
G107. Art and the Christian Apocrypha. David R. Cartlidge and J. Keith Elliott. Routledge; Taylor and Francis Group. London. 2001.
G107. Aesthetics. An introduction to the Philosophy of Art. Anne Sheppard. Opus Books, Oxford University Press. Oxford. 1987.
G108. L’art à Milan. Enrica Ballarè. Collection Hazan-Scala. Scala Group S.p.A. Antella, Florence. 2002.
G109. The twelve Caesars. Suetonius. Translated by Robert Graves. Penguin Books. London. 1979.
G110. Bernini. Maurizio Fagiolo, Angela Cipriani. Scala Group S.p.A. Antella (Florence). 1981.
G111. Nombre d’or et créativité. Robert Vincent. Chalagam Édition. Marseille. 2001.
G112. Nombre d’or, nature et oeuvre humaine. Robert Chalavoux. Chalagam Édition. Marseille. 2001.
G113. Titien. Camille Mauclair. Éditions Nilsson. Paris. 1925.
G114. Bourgogne. Ouvrage collectif, avec la collaboration de Julie Roux. MSM. Vic-en-Bigorre. 2002.
G115. Un retable pour l’Au-delà. Eliane Gondinet-Wallstein. Nouvelles Éditions Mame, collection ‘Un certain regard’. Tournai, Paris. 1990.
G116. L’avant-garde Russe dans l’art moderne 1863-1922. Camilla Gray. Thames and Hudson. Paris. 2003.
G117. Saints in Art. Rosa Giorgi. The J. Paul Getty Trust, Getty Publications. Los Angeles. 2003.
G118. What is painting? Julian Bell. Thames and Hudson. London. 2000.
G119. Die Essenz der Moderne. Clement Greenberg. Estate of Clement Greenberg. Verlag der Kunst. Dresden. 1997.
G120. Kulturgeschichte der Farbe. John Gage. Translated by Magda Moses and Bram Opstelten. Seemann Verlag. Leipzig. 2001.
G121. The Holy Bible. New International Version. International Bible Society. Hodder & Stoughton. London. 2000.
G122. Architecture Gothique et pensée scholastique. Erwin Panofsky. Translation and postface by Pierre Bourdieu. (Abbot Suger of Saint Denis, Gothic Architecture and Scholastic Thought – Princeton University Press). Les Editions de Minuit. Paris. 1967.
G123. Erläuterungen zur Modernen Kunst. Max Imdahl, Friends and Students. Herausgegeben von Norbert Kunisch. Richter Verlag. Düsseldorf. 1992.
G124. The Image and the Eye. Ernst H. Gombrich. Phaidon Press Limited. London. 1982.
G125. French Painting in the Golden Age. Christopher Allen. Thames & Hudson LTD. London. 2003.
G126. Kleur. Victoria Finlay. Anthos Uitgevers. Amsterdam. 2003. Original title: Colour – Travels through the Paintbox. Edition Sceptre.
G127. Surrealism. Patrick Waldberg. Thames and Hudson Ltd. London. 1997.
G128. Les Maîtres de la Peinture Occidentale. Robert Suckale, Manfred Wundram, Andreas Prater, Hermann Bauer, Eva-Gesine Baur, under the direction of Ingo F. Walther. Taschen GmbH. Köln.
G129. Mystères et Beauté des Abbayes Cisterciennes. Gilles Desmons, Christophe Lefébure. Editions Privat. Toulouse. 1999.
G130. De Kunstgids. Marcus Lodwick. Quarto Publishing plc. London. 2002. Librero b.v. Kerkdriel. 2004.
G131. Saint Bernard, l’Art cistercien. Georges Duby. Flammarion. Paris. 1979.
G132. Histoires de peinture. Daniel Arasse. France Culture, Editions Denoël. Paris. 2004.
G133. On Beauty. Edited by Umberto Eco. Translated by Alastair McEwen. Secker&Warburg, Random House. London. 2004.
G134. Wie Farben wirken. Eva Heller. Rowolt Taschenbuch Verlag GmBH. Reinbek bei Hamburg. 1999.
G135. Qu’est-ce que l’art? Maria Carla Prette, Alfonso De Giorgis. Editions Albert René, Goscinny-Uderzo. Paris. Giunti Gruppo Editoriale. Firenze. 2000.
G136. Constantinople. The last great Siege 1453. Roger Crowley. Faber and Faber Limited. 2005.
G137. Ikonen Lexikon. Karin Braamhorst. Uitgeverij Terra Lannoo BV. Warnsveld. 2005.
G138. Topics of our time. E.H. Gombrich. Phaidon Press Limited. London. 1991.
G139. Medieval Painting in Bohemia. Jan Royt. Univerzita Karlova v Praze. Prague. 2003.
G140. A History of medieval Jewish Philosophy. Isaac Husik. Dover Publications Inc. Mineola, NY. 2002.
G141. A Thousand Masterpieces of European Painting. From 1300 to 1850. Christian Stukenbrock and Barbara Topper. Könemann. Tandem Verlag GmbH. Königswinter. 2005.
G142. The Cathedrals of England. Alec Clifton-Taylor. Thames & Hudson Ltd. London. 2001.
G143. Georges de La Tour. Histoire d’une redécouverte. Jean-Pierre Cuzin et Dimitri Salmon. Gallimard, Réunion des Musées Nationaux. Paris. 1997.
G144. Théorie de l’Art Moderne. Paul Klee. Translated and edited by Pierre-Henri Gonthier. Editions Denoël. Collection Folio/Essais. 1985.
G145. Early Christian and Byzantine Art. John Lowden. Phaidon Press Limited. London. 1997.
G146. Bologna, alma mater studiorum. Carlo degli Esposti, Giancarlo Roversi, Oriano Tassinari Clò, Fabia Zanasi. Italcards. La Fotometalgrafica Emiliana Spa. Bologna. 1993.
G147. Art and History of Pisa. Giuliano Valdes. Casa Editrice Bonechi. Florence. 1999.
G148. Malerinnen des 20. Jahrhunderts. Gottfried Sello. Edition Ellert and Richter Verlag. Hamburg. 1994.
G149. Aliénor d’Aquitaine. La Reine insoumise. Jean Flori. Editions Payot & Rivages. Paris. 2004.
G150. Cistercians, Heresy and Crusade in Occitania, 1145-1229. Beverley Mayne Kienzle. York Medieval Press. Woodbridge, Suffolk. 2001.
G151. The Didascalion of Hugh of Saint Victor. Translated and Notes by Jerome Taylor. Columbia University Press. New York. 1991.
G152. The Devil’s World. Heresy and Society 1100-1300. Andrew P. Roach. Pearson Education Ltd. Harlow. 2005.
G153. L’Art Français. Pré-Moyen Âge, Moyen Âge. André Chastel. Flammarion. Paris. 2000.
G154. Clairvaux Abbey. Gilles Vilain, Jean-François Leroux. Inventaire Général ADAGP. Monum, Editions du Patrimoine. Langres. 2004.
G155. Lettres des deux Amants, attribuées à Héloïse et Abélard. Traduites et présentées par Sylvain Piron. Editions Gallimard. 2005.
G156. Und das ist Kunst? Eine Qualitätsprüfung. Hanno Rauterberg. S. Fischer Verlag GmbH. Frankfurt am Main. 2007.
G157. The Koran. Translated from the Arabic by J. M. Rodwell. Foreword and introduction by Alan Jones. Phoenix Paperback. Orion Publishing Group Ltd. London. 2001.
G158. The Rough Guide History of Islam. Justin Wintle. Penguin Books Ltd. London. 2003.
G159. The Kabbalah. Translation and Introduction by S.L. MacGregor Mathers. Foreword by Z’ev ben Shimon Halevi. Sacred Texts. Duncan Baird Publishers. Watkins Publishing. London. 2005.
G160. Things of Beauty - What two Sisters did for Wales. Edited by Oliver Fairclough. National Museum of Wales Books. Cardiff. 2007.
G161. Russian Landscapes. Amaranth Publishers. Moscow. 1999.
G162. Avant-Garde in Russia. Amaranth Publishers. Moscow. 1999.
G163. The Grand Atelier. Pathways of Art in Europe (5th-18th centuries). Under the Direction of Roland Recht in Collaboration with Catherine Périer d’Ieteren and Pascal Giener, and with Peter Burke, Roger Chartier and Krzysztov Pomiam. Europalia International Brussels, Mercatorfonds. 2007.
G164. Sébastien Bourdon, peintre prodige du Grand Siècle. Dossiers de l’Art, Juillet-Août 2000. Louis Faton, Jacques Thuillier, Michel Hilaire, Dominique Brême, Dominique Jacquot. Editions Faton. Dijon. 2000.
G165. Die Welt der Hildegard von Bingen. Heinrich Schipperges. Verlag Herder, Verlag Hohe GmbH. Erftstadt. 2007.
G166. Think. Simon Blackburn. Oxford University Press Inc. New York. 2001.
G167. Caravaggio. A life sacred and profane. Andrew-Graham-Dixon. Penguin books. London. 2011.
G168. Outil des Couleurs. Robert Chalavoun. Chalagam Editions. Marseille. 2005.
G169. Europe in the High Middle Ages. William Chester Jordan. Penguin Books Ltd. London. 2001.
G170. The perfect King. The Life of Edward III. Ian Mortimer. Vintage Books, Random House. London. 2006.
G171. The Metamorphosis of a medieval City: Ghent in the Age of the Arteveldes, 1302-1390. David Nicholas. University of Nebraska Press. 1987.
G172. Philippe VI, 1328-1350. Ivan Gobry. Pygmalion, Flammarion. Paris. 2011.
G173. James van Artevelde. Patricia Carson.E. Story-Scientia PVBA. Gent. 1980.
G174. Vlaanderen en het zevenjarig beleid van Jacob van Artevelde. Dr. Paul Rogghe. Deel 1 en deel 2. Uitgeversmij. A. Manteau. Brussel.
G175. Jacob van Artevelde. Hans van Werveke. Kruseman. Den Haag. 1963.
G176. The Hundred Years War. Desmond Seward. Constable & Robinson Ltd. London. 2003.
G177. The van Arteveldes of Ghent. The Varieties of Vendetta and the Hero in History. David Nicholas. Cornell University. 1988.
G178. A distant Mirror. Barbara W. Tuchman. Ballantine Books, Random House. New York. 1978.
G179. The Medici. Godfathers of the Renaissance. Paul Strathern. Vintage Books. London. 2006.
G180. Salonica. City of Ghosts. Mark Mazower. Harper Perennial. London. 2005.
G181. The Gathering Storm. Winston Churchill. Penguin Books. London. 2005.
G182. The Origins of the Second World War. A.J.P. Taylor. Penguin Books. London. 1991.
G183. Panzer leader. Heinz Guderian. Penguin Books. London. 2009.
G184. Fighter Boys. Patrick Bishop. Harper Perennial. London. 2004.
G185. Kursk. The greatest Battle Eastern Front 1943. Lloyd Clark. Headline Review. London. 2012.
G186. Katherine Swynford. The Story of John of Gaunt and his scandalous Duchess. Alison Weir. Vintage. London. 2008.
G187. Vanished Kingdoms. Norman Davies. Pinguin Books. London. 2011.
G188. The New Middle East. Paul Danahar. Bloomsbury Paperbacks. London. 2015.
G189. James and Philip van Artevelde. William James Ashley. MacMillan & Co. London 1883.
G190. Philippe le Bel. Jean Favier. Editions Tallandier. Paris. 2013.
G191. The Battle of the Golden Spurs. Edited by Kelly Devries, translated by David Richard Ferguson. The Boydell Press. Woodbridge (UK). 2002.
G192. The Time Traveller’s Guide to Medieval England. Ian Mortimer. Vintage. London. 2009.
G193. Vanished Kingdoms. Norman Davies. Penguin Books. London. 2012.
G194. Quellentexte zum jüdischen Geschichte und Literatur. Julius Höxter. Matrix Verlag GmbH. Wiesbaden. 2009.
G195. The new Middle East. Paul Danahar. Bloomsbury. London. 2015.
G196. The Silk Roads. Peter Frankopan. Bloomsbury. London. 2015.
G197. The Wandering Jews. Joseph Roth. Translated by Michael Hofmann. Granta Publications. London. 2001.
G198. Homo Deus. Yuval Noah Harari. Harvill Secker. London. 2015.


Encyclopaedias and World Histories



E1. Dictionnaire Encyclopédique de la Peinture. Booking International – Paris. 1992.
E2. Oosthoeks Encyclopedie. N.V. Oosthoeks Uitgeversmaatschapij – Utrecht. 1964.
E3. Schlossers Weltgeschichte. Fr. Chr. Schlosser. - Verlag bei Neufeld und Henius – Berlin.
E4. Brockhaus’ Konversations-Lexikon. F.A. Brockhaus in Leipzig – Berlin. 1889.
E5. The Oxford Dictionary of Saints. David Farmer. - Oxford University Press – Oxford. 1997.
E6. Reallexikon des klassischen Altertums. Prof. Dr. Lax Erler. - Verlag B.G. Teubner – Leipzig. 1891.
E7. Sesam Nieuwe Geïllustreerde Wereldgeschiedenis. Bosch & Keunig NV- Baarn (Netherlands).
E8. L’Europe de 1815 à nos jours. Serge Cosseron, Philippe Favergon. - La Manufacture – Besançon. 1991.
E9. Europe. A history. Norman Davies. Pimlico – London. 1997.
E10. The History of the Jews. Paul Johnson – Phoenix, Orion Books Ltd. – London 1997.
E11. Encyclopaedia Britannica. Edition 1999.
E12. Heart of Europe. Norman Davies. Oxford University press – Oxford 1986.
E13. The Oxford History of Christianity. Oxford University press – 1993.
E14. Généalogies des rois et des princes. Jean-Charles Volkmann. Editions Jean-Paul Gisserot. Paris. 1998.
E15. A short History of Byzantium. John Julius Norwich. Penguin Books. London – 1998.
E16. A History of Medieval Europe. R.H.C. Davis, edited by R.I. Moore. Pearson Education limited. Harlow. UK. 2006.
E17. Medieval Europe. A short History. Judith M. Bennett and C. Warren Hollister. McGraw-Hill. New York. 2006.
E18. Histoire des Croisades. René Grousset. Editions Perrin. Paris. 2006. Editions Plon. 1935.
E19. The Oxford History of the Crusades. Jonathan Riley-Smith. Oxford University Press. Oxford. 2002.
E20. The Rise and Fall of Ancient Egypt. Toby Wilkinson. Bloomsbury Publishing PLC. London. 2011.


Catalogues of Museums and Exhibitions



Austria


A1. Führer durch die Sammlungen des Kunsthistorisches Museums Wien. Michèle Rössner. - Verlag Anton Schroll – Vienna. 1977.
A2. Gustav Klimt in the Austrian Gallery Belvedere. Gerbert Frodl. Verlag Galerie Welz. Salzburg. 1992.
A3. Romantik und Klassizismus in der Österreichischen Galerie Belvedere. Sabine Grabner. Österreichische Galerie Belvedere. Vienna. 1997.
A4. Französische Kunst in der Österreichischen Galerie in Wien. Bearbeitet von Stephan Koja. Österreichische Galerie. Vienna. 1991.
A5. Hans Makart in der Österreichischen Galerie Belvedere Wien. Gerbert Frodl. Verlag Galerie Welz. Salzburg. 2000.
A6. Österreichische Galerie Belvedere Wien. Prestel Museumsführer. Österreichischen Galerie Belvedere Wien und Prestel Verlag. Vienna. 2001.
A7. Museum Moderner Kunst, Stiftung Ludwig Wien. The Collection. Eva Badura-Triska, Wolfgang Drechsler, Rainer Fuchs, Lóránd Hegyi, Achim Hochdörfer, Hanno Milesi, Susanne Neuburger, Friedrich Achleitner, and others. . Museum Moderner Kunst, Stiftung Ludwig Wien. Vienna 2000.
A8. Meisterwerke aus der Sammlung Leopold. Carl Haenlein, Rudolf Leopold, Wieland Schmied, Romana Schuler. Leopold Museum – Privatstiftung. Vienna 2000.
A9. Kunsthistorisches Museum Wien. The Pïcture Gallery. Wilfried Seipel, Wolfgang Probaska. Kunsthistorisches Museum Wien. 1996.
A10. The Picture Gallery of the Academy of Fine Arts in Vienna. An Overview of the Collection. Renate Trnek. Böhlau Verlag. Vienna. 2000.
A11. Museum im Schottenstift. Kunstsammlungen der Benediktinerabtei zu den Schotten in Wien. Abt Heinrich Ferenczy OSB, Gerhard Schlass, Cornelia Reiter. Museum im Schottenstift. Vienna. 1994.


Belgium

B1. Musée Groeninge Bruges. Musea Nostra. - Ludion – Ghent. 1996.
B2. Musée Royal d’Anvers. Els Maréchal, Leen De Jong. - Musea Nostra. Ludion – Ghent. 1994.
B3. Le Musée des Beaux-Arts de Tournai. Serge Le Bailly de Tilleghem. - Musea Nostra. Ludion – Brussels. 1989.
B4. The Museum of Modern Art Brussels. Edited by Joost De Geest and Jean-Marie Duvosquel. - Ludion - Ghent. 1996.
B5. Le Musée de l’Art Wallon à Liège. Liliane Sabatini. - Ludion – Brussels. 1988.
B6. René Magritte. Catalogue du Centenaire. Ludion – Flammarion. 1998.
B7. Marc Chagall. Sources et vision. Catalogue de l’exhibition à Liège. Françoise Dumont et Roland Doschka – Prestel – Munich – 1998.
B8. Le musée communal d’Ixelles. Nicole D’Huart, Bruno Fornari. – Ludion Editions – Ghent 1994.
B9. Bruges et la Renaissance, de Memling à Pourbus. M. Martens. – Stichting Kunstboek. Ludion, Flammarion. – Bruges 1998.
B10. Van Dyck. The Exhibition. Royal Museum of Fine Arts of Antwerp and The Royal Academy of Arts of London – Antwerpen Open and The Royal Academy of Arts Publications London – Blondé Art Printing. Antwerp 1999.
B11. La Lumière Naturelle. Dessins et aquarelles de paysage de Van Dyck et ses contemporains. Martin Royalton-Kisch. – Antwerpen Open and Blondé Art Printing in association with the Trustees of the British Museum. Antwerp 1999.
B12. Le Musée d’Art Ancien. V. Vermeersch and J-M Duvosquel. – Ludion Cultura Nostra – Brussels 1988.
B13. Old Masters in the Royal Museum of Antwerp. M. A. Schoonbaert. – Ministerie van de Vlaamse Gemeenschap, Koninklijk Museum voor Schone Kunsten, Antwerpen – 1988.
B14. A chacun sa grâce. Femmes artistes en Belgique et aux Pays-Bas 1500-1950. Koninklijk Museum voor Schone Kunsten, Antwerpen. Ludion, Flammarion – 1999.
B15. Museum Mayer Van Den Bergh. Hans Nieuwdorp and Iris Kockelbergh Edited by Valentin Vermeersch and Jean-Marie Duvosquel. Ludion S.A. Cultura Nostra. Brussels. - 1996.
B16. Museum voor Schone Kunsten Gent. Robert Hoozee. Musea Nostra. Ludion. – Gent 1995.
B17. Autour de Henri Bles. Under the direction of Jacques Toussaint. Société Archéologique de Namur – Namur 2000.
B18. La révolte de la couleur. Chefs d’oeuvre de la Collection Carmen Thyssen-Bornemisza. Nicole d’Huart, Serge Goyens de Heusch and others. Musée d’Ixelles, Marot-Tijdsbeeld – Brussels 2000.
B19. Pablo Picasso. Exhibition under the direction of Régine Rémon. Prestel Verlag – Munich. 2000.
B20. Giorgio de Chirico. Les dix dernières années. Exposition au Palais des Beaux-Arts de Charleroi. Palais des Beaux-Arts de Charleroi, Fondation Giorgio et Isa de Chirico. – Charleroi 2001.
B21. L’Apocalypse de Giorgio de Chirico. Sous la direction de Laurent Busine. Exposition au Palais des Beaux-Arts de Charleroi. Palais des Beaux-Arts de Charleroi, Fondation Giorgio et Isa de Chirico. – Charleroi 2001.
B22. Between Earth and Heaven. New Classical Movements in the Art of Today. Exhibition in the Provincial Museum for Modern Art of Ostend. Commissioner-general W. Van den Bussche. PMMT Ostend. Editions Lannoo-Tielt. 2001.
B23. De Eeuw van Van Eyck. De Vlaamse Primitieven en het Zuiden. Till-Holger Borchert. Ludion. Gent. 2002.
B24. La Vénus dévoilée. La Vénus d’Urbino du Titien. Sous la direction d’Omar Calabrese. Editions Snoeck, Silvana Editoriale, Europalia.italia. Brussels. 2003.
B25. Une Renaissance singulière. La Cour d’Este à Ferrare. Jadranka Bentini, Grazia Agostini, Barbara Ghelfi. Editions Snoeck, Silvana Editoriale, Europalia.italia. Brussels. 2003.
B26. Futurismo 1909-1926. Under the direction of Ada Masoero and Renato Miracco. Editions Snoeck, Edizioni Gabriele Mazzotta, Europalia.italia. Brussels. 2003.
B27. Anversa & Genova. Un sommet dans la peinture baroque. Paolo Massa, Marzia Cataldi Gallo, Bram De Klerck. Editions Snoeck, Europalia.italia. Brussels. 2003.
B28. Mise-en-Scène. Keizer Karel en de Verbeelding van de negentiende Eeuw. Robert Hoozee, Jo Tollebeek, Tom Verschaffel. Mercatorfonds. Museum voor Schone Kunsten. Gent. 2000.
B29. Ensor. Direction Eliane De Wilde. Musées Royaux des Beaux-Arts de Belgique. SABAM. Brussels. 1999.
B30. Cent coups de coeur. Marcel van Jole. Art Media ASBL and Euro Culture Productions. Brussels. 2001.
B31. Du Réalisme au Symbolisme, l’Avant-Garde belge 1880-1900. Mary-Anne Stevens, Robert Hoozee, Jane block, Jean F. Buyck, Ronny Gobyn, Serge Goyens de Heusch. Fondation Saint-Jean, Ludion. Bruges.1995.
B32. Rubens: a Genius at Work. Sabine Van Sprang, Michèle Van Kalck, Joost Van Der Auwera, Arnout Balis, Tine Meganck, Michel Draguet and others. Uitgeverij Lannoo NV. Tielt. 2007.
B33. De Delacroix à Kandinsky. L’Orientalisme en Europe. Sous la direction de Davy Depelchin et Roger Diederen. Editions Hazen. Paris. Musées royaux des Beaux-arts de Belgique. Bruxelles. 2010.
B34. Musée et Jardins Van Buuren. Isabelle Anspach. Fonds Mercator and the Museum Van Buuren. Brussels. 2007.
B35. Art and Finance in Europe. Joost Vander Auwera. Koninklijke Musea voor Schone Kunsten. Brussels. 2012.
B36. Enjoy your Meal. Gastronomic Discoveries through the Ages. Michel Draguet. Koninklijke Musea voor Schone Kunsten. Brussels. 2012.
B37. Femmes Artistes. Les peintresses en Belgique (1880-1914). Véronique Carpiaux, Valérie Minten. Musée Félicien Rops. Namur. Silvana Editoriale. Milano.
B38. Foy Notre Dame. Art et Histoire. Christian Pacco. Editions Gaud. Moisenay. 2009.


Czechia

Z1. Frantisek Kupka. Collection Meda Mladek Washington. Exhibition Musée d’Ixelles – Meda Mladek, The Czech Museum of Fine Arts – 1998.
Z2. Imperial Paintings from Prague. Eliska Fucikova. Ludion – Gent. 2001.
Z3. National Gallery in Prague. Trade Fair Palace. 19th century art. Nadezda Blazickova-Horova, Tomas Hladik, Jana Hornekova, Anna Janistinova, Sarka Leubnerova. National Gallery in Prague. 2002.
Z4. National Gallery in Prague. Convent of Saint George. Mannerist and Baroque art in Bohemia. Vit Vlnas, Sylva Dobalova, Tomas Hladik, Andrea Rousova. National Gallery in Prague. 2005.
Z5. Prague Castle Gallery. Guide to the Collections. Eliska Fucikova, Petr Chotebor, Zdenek Lukes. Prague Castle Administration. 1998.
Z6. National Gallery in Prague. Sternberg Palace. European art from Antiquity to the end of the baroque. Vit Vlnas editor. National gallery in Prague. 2004.
Z7. One hundred Works of the National Gallery in Prague. Milan Knizak. National Gallery in Prague. 2006.
Z8. Charles IV, Emperor by the Grace of God. Catalogue of the Exhibition. Jiri Fajt. Prague Castle Administration. 2006.
Z9. Petr Brandl, a Painter of Worldly Vices. Andrea Rousovà. National Gallery in Prague. 2004.
Z10. The National Gallery in Prague. Netherlandish Painting 1480-1600. Olga Kotková. National Gallery in Prague. 1999.
Z11. Alphonse Mucha. Sarah Mucha, Ronald F. Lipp, Victor Arwas, Anna Dvorrak, Jan Mlcoh, Petr Witlich. Mucha Limited. 2000.


Denmark

K1. Statens Museum for Kunst, 100 masterpieces. Chris Fisher, Kasper Monrad – Statens Museum for Kunst – Copenhagen. 1997.
K2. The Thorvaldsen Museum. B. Jornoes, T. Melander, A.S. Urne. – Thorvaldsens Museum – Copenhagen. 1995.


France

F1. Le Louvre. La peinture Européenne. Michel Laclotte, Jean-Pierre Cuzin. - Scala Publications Ltd – Paris. 1993.
F2. La peinture à Orsay. Michel Laclotte, Geneviève Lacambre, Anne Distel, Claire Frèches-Thory. - Editions Scala – Paris. 1986.
F3. Musée d ‘Art Sacré Francis Poulenc – Rocamadour. Cahors Imprimerie – Cahors. 1996.
F4. Guide des Collections. Palais des Beaux-Arts de Lille. Edition de la Réunion des Musées Nationaux de France – Paris. 1997.
F5. Guide des Collections. Musée des Beaux-Arts de Lyon. Edition de la Réunion des Musées Nationaux de France – Paris. 1995.
F6. The Poem of the Soul. Dominique Brachlianoff. Musée des Beaux-Arts de Lyon. Edition de la Réunion des Musées Nationaux de France – Paris. 1995.
F7. Goya, un regard libre. Exhibition at the Musée des Beaux-Arts de Lille Editions de la Réunion des Musées Nationaux de France – Diffusion Seuil - Lille, 1998.
F8. Musée du Louvre. Peintures. Michel Laclotte. – Flammarion – Paris, 1970.
F9. Musée des Beaux-Arts de Rouen. 16ième et 17ième siècles. Guide des Collections. François Bergot. – Réunion des Musées Nationaux de France – Distribution Seuil – Rouen 1992.
F10. Musée des Beaux-Arts de Rouen. 18ième, 19ième et 20ième siècles. Guide des Collections. François Bergot, Marie Pessiot, Gilles Grandjean, Alain Pougetoux. – Réunion des Musées Nationaux de France – Distribution Seuil – Rouen 1994.
F11. Le Musée des Beaux-Arts de Caen. Alain Tapié. – Fondation Paribas, Ville de Caen, Réunion des Musées Nationaux – Ludion, Gand – Paris 1994.
F12. La Marine à Voile de 1650 à 1890. Musée des Beaux-Arts de Rouen. 1999.
F13. Jules-Louis Rame. Musée des Beaux-Arts de Caen – Caen 1999.
F14. Ville et Campagne: les artistes Américains. Margaretta Lovell, Derrick R. Cartwright. American Museum of Giverny – Terra Foundation for the Arts. Giverny 1999.
F15. Navires dans la mer dans les collections du Musée National de la Marine et dans le fonds Augustin Normand. Marjolaine Mourot, Françoise Cohen, Cristina Baron. – Association ‘Le Havre 99’, Ville du Havre, Musée National de la Marine – Le Havre 1999.
F16. Les chefs-d’oeuvre du musée Malraux. Françoise Cohen. – Musée Malraux Le Havre, Editions Adam Biro – Le Havre 1999.
F17. Le Miserere de Georges Rouault. Bernard Dorival. – Musée des Beaux-Arts de La Rochelle – La Rochelle 1978.
F18. Peintures et Mécénat. Thierry Lefrançois. – Editions des Musées d’Art et d’Histoire de La Rochelle – La Rochelle 1993.
F19. The Abbey of Saint-Savin. Yves-Jean Riou – Inventaire Général. SPADEM. Edited by C.P.P.P.C.- Vienne 1992.
F20. Fragments d’une splendeur. Arras à la fin du Moyen-Age. Edited by Annick Notter. Musée des Beaux-Arts d’Arras. Arras. 2000.
F21. La peinture italienne au Louvre. Aline François-Colin. Editions de la Réunion des musées nationaux. Paris. 2000.
F22. Louvre – 7 siècles de peinture. Valérie Mettais. Art Lys. Versailles. 2000.
F23. Les années Pop. Sous la direction de Mark Francis. Exposition présentée au Centre Pompidou. Editions du Centre Pompidou. Paris. 2001.
F24. Musée National d’Art Moderne. Centre Pompidou. Jacinto Lageira. Editions Scala. Paris. 2000.
F25. Musée des Beaux-Arts de Nice. Jean Forneris, Béatrice Debrabandère-Descamps. ADAGP. Nice. 1997.
F26. Musée Biblique Marc Chagall. Jean-Michel Foray, Françoise Rossini-Paquet. Editions de la Réunion des Musées Nationaux. Paris. 2000.
F27. Chagall Surréaliste? Exposition au Musée Biblique Marc Chagall. Jean-Michel Foray. Editions de la Réunion des Musées Nationaux. Paris. 2001.
F28. Les Van Loo, fils d’Abraham. Jean-Pierre Cuzin, Jean-François Mozziconacci, Charles Astro, Andréa Zanella, Béatrice Debrabandère-Descamps, Christina Rolland. Editions Nice Musées. Nice 2000.
F29. Les Collections des Princes de Zalm. Bernard Huin, Luc Georget. Musée départemental d’art ancien. Epinal. 1994.
F30. Le Musée d’Unterlinden de Colmar. Sylvie Lecoq-Ramond, Pantixka De Paepe. Musées et Monuments de France. Paris. 1991.
F31. Musée des Beaux-Arts de Tours. Guide des Collections. Philippe Le Leyzour, Véronique Moreau, Annie Gillet, Sophie Join-Lambert, Danielle Oger, Catherine Pimbert. Editions de la réunion des musées nationaux. Paris. 1998.
F32. Nicolas Poussin. La collection du musée Condé à Chantilly. Pierre Rosenberg, Louis- Antoine Prat and Véronique Damian. Editions de la réunion des musées nationaux. Paris. 1994.
F33. Peintures pour un château. Cinquante tableaux (XVIe-XIXe siècle) des collections du château de Fontainebleau. Danièle Véron, Denise and Vincent Draguet. Editions de la réunion des musées nationaux. Paris. 1998.
F34. Musée national du château de Fontainebleau. Jean-Pierre Samoyault, Colombe Samoyault. Editions de la réunion des musées nationaux. Paris. 1991.
F35. Dessins allemands et flamands du musée Condé à Chantilly. David Mandrella. Editions de la réunion des musées nationaux. Paris. 1999.
F36. Enluminures italiennes, chefs-d’œuvre du musée Condé. Teresa d’Urso, Pier Luigi Mulas, Patricia Stirnemann, Gennaro Toscano, François Avril. Somogy Editions d’Art. Paris 2000.
F37. Château d’Ecouen. Musée national de la Renaissance. Alain Erlande-Brandenburg, Pierre Ennès, Julia Fritsch. Editions de la réunion des musées nationaux. Paris. 2000.
F38. Les très riches heures du Duc de Berry. Jean Dufournet. Bibliothèque de l’Image. Paris. 1995.
F39. Le musée des Beaux-Arts de Dijon – Album. Emmanuel Starcky, Sophie Barthélémy, Remi Cariel, Catherine Gras, Sophie Jugie, Hélène Meyer, Catherine Tran. Réunion des Musées Nationaux. ADAGP. Paris. 2002.
F40. Dijon, Musée Magnin. Les peintures françaises. Catalogue sommaire illustré. Laure Starcky. Éditions de la Réunion des Musées Nationaux. Paris. 2000.
F41. Les peintures Italiennes du Musée des Beaux-Arts. Alain Roy, Paula Goldenberg. Editions les Musées de la Ville de Strasbourg. Strasbourg. 1996.
F42. Frantisek Kupka. La Collection du Centre Georges Pompidou, Musée National d’Art Moderne. Editions du Centre Pompidou, ADAGP. Paris. 2003.
F43. The Museum of Modern and Contemporary Art. Rodeolphe Rapetti, Véronique Wiesinger, Marie-Jeanne Geyer, Sylvain Morand, Stéphanie Molinard, Léna Widerkehr. Editions Scala. Paris. 1998.
F44. Les Modernes, de Picasso à Picasso. Catalogue des peintures du XXe siècle au musée des Beaux-Arts de Lyon. Christian Briend. Musée des Beaux-Arts de Lyon. Réunion des musées nationaux. Lyon. 2000.
F45. Les peintures Romaines de Narbonne. Maryse Sabrié, Raymond Sabrié.Ville de Narbonne. 1995.
F46. Le Musée des Beaux-Arts d’Arras. Annick Notter, Guillaume Ambroise. Musées et Monuments de France; Fondation Paribas. Paris. 1998.
F47. La peinture à Chantilly. Nicole Garnier-Pelle. Art Lys. Chantilly. 2000.
F48. Peintures Fançaises des 17ième et 18ième Siècles des Musées d’Amiens. Matthieu Pinette. Somogy Editions d’Art, Paris. Musée de Picardie, Amiens. 2006.
F49. Couleurs d’Italie, couleurs du Nord. Peintures étrangères des Musées d’Amiens. Matthieu Pinette. Somogy Editions d’Art, Paris. Musée de Picardie, Amiens. 2001.
F50. Guide des Collections du Musée d’Art moderne de Lille-Métropole, Villeneuve d’Ascq. Savine Faupin, Pierre Bernelle. Réunion des Musées nationaux. ADAGP. Picasso Administration. Paris. 2001.
F51. Philippe de Champaigne. Entre Politique et Dévotion. Under the direction of Alain Tapié and Nicolas Sainte Fare Garnot. Paolo Bassani Pacht, Jean-Claude Boyer, Arnauld Brejon de Lavergnée, Véronique Bücken, Donatienne Dujardin, Imola Kiss, Paul Lang, Denis Lavalle, Philippe Luez, Hélène Meyer, Marcel Roethlisberger. Editions de la Réunion des Musées nationaux. Paris. 2007.
F52. Jacques-Nicolas Paillot de Montabert. Peintre et Théoricien de l’Art. Musées de Troyes. Troyes. 2007.
F53. Peintures du XIVième au XIXième Siècle. Guide du Visiteur. Jean-Pierre Sainte-Marie. Musée des Beaux-Arts et d’Archéologie. Troyes.
F54. The Musée des Beaux-Arts de Reims. David Liot, Catherine Delot, Marie-Hélène Montout-Richard. Fondation BNP Paribas, Ville de Reims, Réunion des Musées nationaux. Musées et Monuments de France. Paris. 2002.
F55. Musée d’Art Moderne. Donation Pierre et Denise Lévy. Philippe Chabert. Musée d’Art Moderne. Troyes. 1988.
F56. Le Palais du Tau. Patrick Demouy. Caisse Nationale des Monuments historiques et des Sites. Editions du Patrimoine. Paris. 1998.
F57. The Museum of Fine Arts, Orléans. Eric Moinet, Isabelle Klinka Ballesteros. Fondation BNP-Paribas, Réunion des Musées Nationaux. Paris. 1996.
F58. Mémoirs du Nord, Peintures Flamandes et Hollandaises des Musées d’Orléans. Eric Moinet, Isabelle Klinka. Musée des Beaux-Arts. Orléans. 1996.
F59. The Musée Toulouse-Lautrec, Albi. Danièle Devynck. Fondation BNP-Paribas, Ville d’Albi, Réunion des Musées Nationaux. Paris. 2006.
F60. Autour des Peintures du Musée de Montauban. Georges Vigne. Musée Ingres. Montauban. 2007.
F61. Les Peintures anciennes, Collections du Musée Ingres, Montauban. XIVe-XVIIIe Siècles. Florence Viguier. Musée Ingres. Montauban. 1993.
F62. Regard sur les Collections du Musée des Beaux-arts de Nantes. Sous la direction de Blandine Chavanne. Editions Nantes Culture et Patrimoine. Musée des Beaux-arts de Nantes. 2008.
F63. Eclats. Collection du Musée des Beaux-arts de Nancy. Somogy Editions d’Art. Paris. Musée des Beaux-arts de Nancy. Nancy. 2005.
F64. Chefs d’œuvre du Musée des Beaux-arts d’Angers. Somogy Editions d’Art. Paris. Musées d’Angers. Angers. 2004.
F65. Musée Granet, Pays d’Aix. Programme 2014. Musée Granet. Aix-en-Provence. 2014.


Germany

D1. Meisterwerke Gemäldegalerie Berlin. Henning Bock, Rainald Grosshans, Jan Kelch, Wilhelm H. Köhler. - Staatliche Museen Preussischer Kulturbesitz – Berlin. 1990.
D2. Von Greco bis Goya. Ausstellungsleitung Haus der Kunst – München. 1982.
D3. Alte Pinakothek Munich. Eric Steingräber – Philip Wilson Publishers Ltd, Summerfield Press Ltd – London, 1985.
D4. Das Wallraf-Richartz Museum. Hundert Meisterwerke. Rainer Budde, Roland Krischel – DuMont Buchverlag – Köln. 2000.
D5. Suermondt Ludwig Museum Aachen. Ulrich Schneider – Deutscher Kunstverlag – München. 1994.
D6. Meisterwerke von Fra Angelico bis Bonnard aus der Sammlung des Dr. Rau. Rainer Budde, Christoph Vitali – Verlag Skira. Genève, Milano. 2001.
D7. The Alte Pinakothek Munich. Reinhold Baumstark. Scala Publishers Ltd. London. 2002.
D8. Deutsche Malerei der Spätromantik. Führer durch die Schack-Galerie München. Christoph Heilmann. Bayerische Staatsgemäldesammlungen München. Karl M. Lipp Verlag. München. 1988.
D9. The Neue Pinakothek Munich. Christian Lenz. Scala Publishers Ltd. London. 1989.
D10. Neue Pinakothek München. Eberhard Ruhner and others. Bayerische Staatsgemäldesammlungen. Lipp GmbH. Munich. 1988.
D11. Alte Pinakothek München. Erich Steingräber. Bayerische Staatsgemäldesammlungen. Lipp GmbH. Munich. 1986.
D12. Pinakothek der Moderne. Malerei, Skulptur, Neue Media. Carla Schulz-Hofmann. Pinakothek. DuMont Literatur und Kunstverlag. Köln. 2002.
D13. Avant-Garden in Mittel-Europa 1910-1930. Ausstellung im Haus der Kunst München. Timothy O. Benson, Monika Król and others. E.A. Seemann Verlag. Leipzig. 2002.
D14. Johann Christian Dahl, der Freund Caspar David Friedrichs. Herwig Gwartzich. Stiftung Schleswig-Holsteinische Landes. Museum Schloss Gottorf, Schleswig. Wienand Verlag. Köln. 2002.
D15. Die Sammlung Berggruen. Herausgegeben von Hans Jürgen Papies. Prestel Verlag. Berlin. 2003.
D16. Brücke Museum Berlin. Magdalena M. Moeller. Prestel Verlag. Berlin. 2001.
D17. Nationalgalerie Berlin. Herausgegeben von Angelika Wesenberg und Eve Förschl. Staatliche Museen zu Berlin. Berlin. 2001.
D18. Schenkung Otto van de Loo. Neue Nationalgalerie Berlin. Herausgegeben von Fritz Jacobi und Sibylle Luig. Staatliche Museen zu Berlin Preussischer Kulturbesitz. Berlin. 2003.
D19. Gemäldegalerie Berlin. 200 Meisterwerke. Henning Bock, Irene Geismeier, Rainald Grosshans, Jan Kelch, Wilhelm H. Köhler, Rainer Michaelis, Hannelore Nützmann, Erich Schleier. Staatliche Museen zu Berlin Preussischer Kulturbesitz. Nicolaische Verlagsbuchhandlung Beuermann GmBH. Berlin. 1998.
D20. Views on Europe. Europe and German Painting in the nineteenth Century. Ulrich Bischoff, Wolfgang Cortjaens, Birgit Dalbajewa, Anna Greve, Joachim Kaak, Bernhard Maaz, Karin Rhein, Herbert W. Rott, Nina Schleif, Gerd Spitzer, Elisabeth Stürmer, Birgit Verwiebe, Angelika Wesenberg. Hatje Cantz Verlag, Ostfildern; Staatliche Museen zu Berlin; Staatliche Kunstsammlungen Dresden; Bayerische Staatsgemäldesammlungen Munich. 2007.
D21. Kunstmuseum Bonn. Volker Adolphs, Elke Bratke, Johannes Cladders, Ruth Diel, Stefan Gronert, Irene Kleinschmidt-Alpeter, Sabina Lessmann, Dieter Ronte, Christoph Schreier, Mara Stock. Kunstmuseum Bonn. Bonn. 2000.
D22. The Kunstsammlung Nordrhein-Westfalen Düsseldorf. Werner Schmalenbach. Prestel Verlag. Munich. 1990.
D23. The Museum Kunstpalast Düsseldorf. Jean-Hubert Martin, Helmut Ricke. Fondation BNP Paribas, Museum Kunstpalast Düsseldorf, Réunion des musées nationaux. Düsseldorf. 2003.
D24. Germanisches Nationalmuseum. Guide to the Collections.Germanisches Nationalmusuem. Nuremberg. 2012.
D25. Alte Meister im Städel Museum. 1300-1800. Hatje Cantz.Verlag. Städel Musuem. 2011.


United Kingdom

U1. The National Gallery Collection. Selected by Michael Levey. - National Gallery Publications – London. 1990.
U2. The Tate Gallery. The Tate Gallery Publications – London. 1987.
U3. The Turner Collection in the Clore Gallery. The Tate Gallery Publications – London.1987.
U4. The Courtauld Institute Galleries. Edited by Paul Holberton. - Scala Publications Ltd – London. 1990.
U5. Visions of Love and Life. Pre-Raphaelite Art from the Birmingham Collection, England. Stephen Wildman. - Art Services International – Alexandria, Virginia. 1995.
U6. Pre-Raphaelite paintings and drawings. Jon Whiteley. - Phaidon, Christie’s Ltd. - Oxford. The University of Oxford – Ashmolean Museum. 1989.
U7. The Collections of the British Museum. Edited by Sir David Wilson. British Museum Press – London. 1989.
U8. Treasures of the Ashmolean Museum. David Piper, Christopher White. – The Ashmolean Museum University of Oxford – Oxford. 1995.
U9. The Wallace Collection. John Ingamells. – Scala Books – London. 1997.
U10. The Paintings in the Royal Collection. Christopher Lloyd. – Royal Collection Enterprises Limited – London. 1999.
U11. The Image of Christ. The catalogue of the exhibition ‘Seeing Salvation’. Gabriele Finaldi, Neil Mac Gregor, Susanna Avery-Quash, Xavier Bray, Erika Langmuir, Alexander Sturgis. National Gallery Company Ltd – London 2000.
U12. Catalogue of Paintings in the Wellington Museum. C.M. Kaufmann. Victoria and Albert Museum. Crown, Her Majesty’s Stationery Office. 1982.
U13. The Tate Modern – The handbook. Edited by Iwona Blazwick and Simon Wilson. Tate publishing. The Trustees of the Tate Gallery. London. 2001.
U14. Dulwich Picture Gallery. Richard Beresford. Unicorn Press, Dulwich Picture Gallery. 1998.
U15. British Painters 1900-1940. M. Carter, L. Browse, R. Shone, P. Skipwitch. Wells Cathedral Preservation Trust and M. Carter, Esq. Wells. 1978.
U16. British Vision. Observation and Imagination. British Art 1750-1950. Exhibition in Ghent (Belgium). Edited by Robert Hoozee. Mercatorfonds, Museum voor Schone Kunsten Ghent. 2007.
U17. The British Royal Collection. From Bruegel to Rubens. Desmond Shawe-Taylor and Jennifer Scott. Royal Collection Enterprises Ltd. London. Fonds Mercator. Brussels. 2008.
U18. Cambridgeshire: the Fitzwilliam Museum. Oil Paintings in Public Ownership. Andrew Ellis and Sonia Roe. The Public Catalogue Foundation. London. 2006.
U19. Elisabeth Vellacott. Rock and Mountain Drawings – a centenary Celebration. Paul Allitt. Kettle’s Yard, University of Cambridge. Cambridge. 2005.
U20. Treasures of the Fitzwilliam Museum. Duncan Robinson, Director. The Fitzwilliam Museum Cambridge. Scala Publishers. London. 2005.
U21. Ford Madox Brown. Exhibition in Ghent (Belgium). Julian Treuherz. Mercatorfonds and the Museum voor Schone Kunsten. Ghent. 2012.
U22. Burghley House. Guide to the Picture Collection. John Somerville. Burghley House, Stamford.


Hungary

H1. Das Museum der Bildenden Künste in Budapest. Klára Garas. Corvina Books Ltd. Budapest. 1985.
H2. The Hungarian National Gallery. Anna Szinyei Merse. - Corvina Books Ltd. Budapest. 1994.
H3. Magnificat Anima Mea Dominum. The Visitation by Master M S and his former High Altar at Selmecbánya. Editors: Mikó Arpad and Poszler Györgyi. Publications by the Hungarian National Gallery. 1997.
H4. Das Ungarische Nationalmuseum. István Fodor, Beatrix Cs. Lengyel. Magyar Nemzeti Múzeum and István Fodor. Corvina Books Ltd. Budapest. 1992.


Ireland

R1. The National Gallery of Ireland. Raymond Keaveney, Michael Wynne, Adrian Le Harivel and Fionnuala Croke. - Scala Publications – London. 1990.


Italy

I1. The Vatican. Francesco Papafava. - Scala – Firenze. 1989.
I2. Le Musée de San Marco. Enrica Crispino Pescio. - Bonechi Edizione il Turismo – Firenze. 1992.
I3. Palais Pitti. Mario Chiarini. - Scala – Firenze. 1988.
I4. Le Musée du Bargello. Bruna Tomasello. - Scala – Firenze. 1991.
I5. La Cathédrale, le Baptistère et le Campanile de Florence. Edizione La Mandragora – Firenze. 1994.
I6. Les Offices de Florence. Luciano Berti, Anna Maria Petrioli Tofani, Caterina Caneva. - Scala Publications Ltd. – London. 1993.
I7. Brera. Complete guide to the works in the Gallery. Introduction by Luisa Arrigoni – Scala Instituto Fotografico. Editoriale S.p.A. Antella – Florence 1997.
I8. The Pinacoteca Ambrosiana. Marco Rossi, Alessandro Rovetta – Veneranda Biblioteca Ambrosiana, Electa – Milan 1997.
I9. Les Galeries de l’Accademia de Venise. Giovanna Nepi Sciré. – Ministero per I Beni Culturali e Ambientali Soprintendenza per I Beni Artistici e Storici di Venezia. Editions Electa – Milan 1998.
I10. Il Museo Poldi Pezzoli a Milano. Alessandra Mottola Molfino, Andrea di Lorenzo e Annalisa Zanni – Museo Poldi Pezzoli, Umberto Allemandi&C – Turin 1999.
I11. I musei del Castello Sforzesco di Milano. Stefano Zuffi – Electa, Elemond Editori Associati – Milan 1995.
I12. Natura Morta Lombarda. Mostra ideata da Flavio Caroli e da curata Alberto Veca – Electa, Elemond Editori Associati – Milan 1999.
I13. Uffizi Gallery. The official Guide of all the works. Gloria Fossi – Ministry of Artistic and Environmental Heritage. Superintendence for Artistic and Historical Patrimony for the districts of Florence, Pistoia and Prato. Giunti Gruppo Editoriale – Florence 1999.
I14. Palatine Gallery and Royal Apartments, the official Guide. Marco Chiarini – Ministry of Artistic and Environmental Heritage. Superintendence for Artistic and Historical Patrimony for the districts of Florence, Pistoia and Prato. Sillabe S.R.L. – Livorno 1998.
I15. Pitti palace, Modern Art Gallery. Carlo Sisi - Ministry of Artistic and Environmental Heritage. Superintendence for Artistic and Historical Patrimony for the districts of Florence, Pistoia and Prato. Sillabe S.R.L. – Livorno 1999.
I16. Masterpieces from the Peggy Guggenheim Collection Venice. Thomas Krens, Philip Rylands. The Solomon R. Guggenheim Foundation. New York. 2000.
I17. Jacopo Tintoretto and the Scuola Grande of San Rocco. Francesco Vancanover. Storte Edizioni. Venice. 1001.
I18. Piazza San Marco and its Museums. Eugenia Bianchi, Nadia Righi and Maria Cristina Terzaghi. Electa. Milan. 1997.
I19. The Egidio Martini Collection at Ca’ Rezzonico. Filippo Pedrocco. Marsilio Editori S.p.a. Venice 2001.
I20. The Correr Museum. Giandomenico Romanelli. Electa. Milan. 1995.
I21. The Accademia Galleries in Venice. Edited by Giovanna Nepi Scirè. Ministero per i Beni Culturali e Ambientali Soprintendenza per i beni Artistici e Storici di Venezia. Published by Electa. Milan. 1998.
I22. Ca’ d’Oro. The Giorgio Franchetti Gallery. Ministero per i Beni Culturali e Ambientali Soprintendenza per i beni Artistici e Storici di Venezia. Published by Electa. Milan. 1998.
I23. Ca’ Rezzonico. Museum of 18th Century Venice. Filippo Pedrocco. Marsilio Editori S.p.a. Venice 2001.
I24. From Puvis de Chavannes to Matisse and Picasso. Toward Modern Art. Edited by Serge Lemoine. SIAE, RCS Libri S.p.a. Palazzo Grassi S.p.a. Venice. 2002.
I25. Santa Maria Novella. Aldo Tarquini o.p. Editrice Giusti di Becocci Saverio s.r.l. Florence. 2001.
I26. Trésors artistiques de Florence. Ilaria Taddei. Sillabe s.r.l. Ministère des Biens et Activités culturels – Surintendance de Florence. Florence. 2000.
I27. Guide to the Corsini Gallery. Sivigliano Alloisi. Ministero per I Beni e le Attività Culturali. Soprintendenza Speciale per il Polo Museale Romano e Sivigliano Alloisi. Rome. 2002.
I28. Guide to the Spada Gallery. Maria Lucrezia Vicini. Ministero per I Beni e le Attività Culturali. Soprintendenza Speciale per il Polo Museale Romano e Maria Lucrezia Vicini. Rome. 2002.
I29. Masterpieces of the National Gallery of Art at Palazzo Barberini. Lorenza Mochi Onori and Rosella Vodret. Ministero per i Beni e le Attività Culturali. Soprintendenza per i Beni Artistici e Storici di Roma, Lorenza Mochi Onori e Rosella Vodret. Rome. 2000.
I30. La Pinacoteca Capitolina. Sergio Guarino e Patrizia Masini. Comune di Roma Assessorato alle Politiche Culturali. Sovraintendenza BB.CC. Centro Coordinamento Didattico. Fratelli Palombi Srl. Rome. 2000.
I31. Villa Farnesina alla Lungara. Elsa Gerlini. Instituto Poligrafico e Zecca dell Stato. Libreria dello Stato. Rome. 2000.
I32. The Capitoline Museums. Margherita Albertoni, Maddalena Cima, Marie Dell’Era, Sergio Guarino, Patrizia Masini, Marina Mattei, Anna Mura Sommella, Micaela Perrone, Emilia Talamo. Comune di Roma Assessorato alle Politiche Culturali. Sovraintendenza ai Beni Culturali. Electa. Milan. 2000.
I33. Galleria Colonna. Eduard A. Safarik, Gabriello Milantoni, Federico Zeri e Fabrizio Lemme. Galleria Colonna S.n.c. Edizioni De Luca s.r.l. Rome. 1998.
I34. Le Palais Massimo aux Thermes. Le musée National Romain. Marina Sapelli. Ministero per i Beni e le Attività Culturali. Soprintendenza Archeologica di Roma. Mondadori Electa S.p.A. Rome. 2003.
I34. Galleria Nazionale D’Arte Moderna. Sandra Pinto, Gianna Piantoni. Ministero per i Beni Culturali e Ambientali. Società Editrice Allemandi & C. Testi degli autori e della SACS. Turin. 2001.
I35. Galleria Doria Pamphilj. Masterpieces: Paintings. Eduard A. Safarik. Scala Group S.p.A. Antella, Florence and Società Arti Doria Pamphilj s.r.l. Rome. 1993.
I36. Il Palazzo Doria Pamphilj al Corso e le sue Collezioni. A cura di Andrea G. De Marchi. Centro Di della Edifimi srl. Firenze, per I testi Società Arti Doria Pamphilj, per le immagini Società Art Doria Pamphilj, per l’immagine a.p. 19 Archivio Scala, Firenze. Firenze. 1999.
I37. Maestà di Roma. Universale ed Eterna Capitali delle Arti. Stefano Susinno, Sandra Pinto con Liliana Barroero e Fernando Mazzocca, Giovanna Capitelli e Matteo Lanfranconi. Ministero per i Beni e le Attività Culturali. Soprintendenza Speciale Galleria Nazionale D’Arte Moderna. Comune di Roma Assessorato alle Politiche Culturali Azienda Speciale Palexpo-Scuderie del Quirinale. Mondadori Electa S.p.A. 2003.
I38. Maestà di Roma. D’Ingres à Degas. Les artistes français à Rome. Olivier Bonfait. Académie de France à Rome. Mondadori Electa S.p.A. 2003.
I39. Michelangelo and Raphael in the Vatican. Ufficio Vendita Pubblicazioni e Riproduzioni dei Musei Vaticani. Vatican City. 2000.
I40. The Borghese Gallery. Claudio Strinati, Alba Costamagna, Anna Coliva, Kristina Herrmann Fiore and Paolo Moreno. Touring Editore. Milan. 2000.
I41. Pracht und Pathos. Meisterwerke der Barockmalerei aus dem Palazzo Bianco in Genua. Roberto Contini, Sibylle Luig and Brigitte Reineke. Staatliche Museen Preussischer Kulturbesitz Berlin. 2003.
I42. Il Museo del Novecento del Comune di Milano al Palazzo della Permanente. Maria Teresa Fiorio, Pietro Esposito and Maria Fratelli. Civiche Raccolte d’Arte. Skira Editore. Milano. 2000.
I42. The Brera Gallery. Luisa Arrigoni et. al. Touring Editore s.r.l. Soprintendenza per I Beni Artistici e Storici. Milan. 1998.
I43. The Pinacoteca Nazionale of Bologna. Rosa d’Amico. Ministero per I Beni e le Attività Culturali; Soprintendenza per il Patrimonio Storico, Artistico e demoetnoantropologico per le Province di Bologna, Ferrara, Ravenna, Forlì-Cesena, Rimini. Marsilio Editori s.p.a. Venezia. 2001.
I44. Collezioni Comunali d’Arte. Maria Deserti, Carla Bernardini, Alessandro Volpe, Stefania Sabbatini, Elena Rossoni, Antonella Mampieri, Elisabetta Berselli, Francesca Lui, Simonetta Stagni, Enrico Colle, Elisabetta Sambo, Marta Forlai. Edisai s.r.l. Bologna. 2002.
I45. Giuseppe Matia Crespi e altri maestri Bolognesi nelle Collezioni di Castel Thun. Elvio Mich, Eugenio Ricomini. Provincia Autonoma di Trento Servizio Beni Culturali. Trento, Bologna. 1998.
I46. The Sforza Castle Museums Milan. Claudio Salsi, Maria Teresa Fiorio, Ermanno Arslan, Paola Ucelli Gnesutta, Marco Tizzoni. Federico Garolla Editore s.r.l. Milan. 1982.
I47. The Gallery of Modern Art of Turin (GAM). Short guide to the permanent collections. Riccardo Passoni. Galleria Civica d’Arte Moderna e Contemporanea. Turin. 1998.
I48. The Galleria Sabauda of Turin. Paola Astrua, Carla Enrica Spantigati. Ministero per I Beni e le Attività Culturali Soprintendenza per I Beni Artistici e Storici del Piemonte. Electa. Milan. 2000.
I49. Maestri lombardi in Piemonte nel primo Seicento. Anna Maria Bavia. Umberto Allemandi & c. Ministero per I Beni e le Attività Culturali; Soprintendenza per il Patrimonio Storico, Artistico e demoetnoantropologico per il Piemonte. 2003.
I50. La Cattedrale di San Alessandro Martire. Eugenia Bianchi, Luigi F. Pizzolato, Gilberto Sessantini, Giovanna Toninelli. Centro Culturale Nicolò Rezzara, Bergamo. Litostampa Instituto Grafica, Gorle. Bergamo.
I51. Accademia Carrara. Francesco Rossi. Poligrafiche Bolis. Bergamo. 1994.
I52. Accademia Carrara. Catalogo dei dipinti sec. XV-XVI. Francesco Rossi, Rosanna Paccanelli, Angelo Salvioni. Amilcare Pizzi Editore. Accademia Carrara. Bergamo. 1988.
I53. Museum of the Diocese of Cortona. Edoardo and Paolo Mori. Calosci-Cortona. 1998.
I54. De Van Dyck à Bellotto, Splendeurs à la Cour de Savoie. Carla Enrica Spantigati, Paola Astrua, Anna Maria Bava and Sonia Damiano. Bozar Books by Umberto Allemandi & Co. Ministero per i Beni e le Attività culturali, Soperintendenza per i Beni storici, artistici ed Etnoantropolofici del Piemonte. Torino. 2009.


Latvia

LL1. The Age of Symbolism in Latvia. Curated by Dace Lamberga. Latvian National Museum of Art. Silvana Editoriale Spa. Cinisello Balsamo. Milano. 2010.


Luxemburg

L1. Musée National d’Histoire et d’Art du Luxembourg. Sous la direction de Jean-Marie Duvosquel. - Musea Nostra. Ludion. 1990.


Mexico

XX1. Frida Kahlo y su Mundo. Visitor’s Guide. Exhibition at the Centre for Fine Arts, Brussels. Museo Dolores Olmedo. Xochimilco. Mexico. Bozar Expo. Brussels. 2010.


The Netherlands

N1. Boymans – van Beuningen Museum Rotterdam. Hanneke de Man. - Scala Publications Ltd. – London. 1993.
N2. Lof der Zeevaart. Jeroen Giltaij, Jen Kelch. Museum Boijmans van Beuningen Rotterdam – Staatliche Museen zu Berlin, Gemäldegalerie im Bodemuseum. 1997.
N3. Dordrechts Museum 150 jaar. Dordrechts Museum. 1992.
N4. Rijksmuseum Amsterdam. W. Klock, R. Baarsen, W. Vroom, P. Schatborn, P. Lunsingh-Scheurleeer. – Rijksmuseum Stichting. – Amsterdam 1995.
N5. Hundred golden memories Rijksmuseum Amsterdam. P.J.J. van Thiel. – Rijksmuseum Stichting – Amsterdam.
N6. Van Gogh at the Van Gogh Museum. Ronald de Leeuw. – Waanders Publishers. – Zwolle. 1994.
N7. Stedelijk Museum Amsterdam. Din Pieters. – Lecturis bv. – Eindhoven. 1989.
N8. Museum Bredius. A. Blankert – Museum Bredius ‘S Gravenhage and Waanders Uitgevers – Zwolle 1991.
N9. Kunst op koper. Koninklijk Kabinet van Schilderijen Mauritshuis – Den Haag. 1999.
N10. The Mauritshuis. Ben Broos – Scala Publications and The Mauritshuis The Hague – London 1994.
N11. Collector’s items. From the Modern Art Collection of the Gemeentemuseum The Hague. Jonieke van Es. – Waanders Uitgevers BV and the Gemeentemuseum The Hague – Zwolle. 1998.
N12. Sir Lawrence Alma-Tadema. Edited by Edwin Becker and others. – Van Gogh Museum Amsterdam, Walker Art Gallery Liverpool and Waanders Uitgevers BV – Zwolle 1996.
N13. Kröller-Müller Museum: 101 masterpieces. Compiled by Evert J. van Straaten. Stichting Kröller-Müller Museum. Otterlo. 1996.
N14. The Frans Hals Museum Haarlem. Antoon Erftemeijer, Henriëtte Fuhri Snethlage, Neeltje Köhler. Ludion and Frans Hals Museum Haarlem. Amsterdam-Gent. 2003.
N15. The Rembrandt House; a catalogue of Rembrandt etchings. Eva Ornstein-Van Slooten and Marijke Holtrop. – Museum Het Rembrandtshuis Amsterdam, Waanders Publishers Zwolle. – Zwolle. 2004.
N16. The Rembrandt House Museum Amsterdam. Fieke Tissink. – Ludion – Amsterdam. 2005.
N17. Johannes Vermeer. Arthur K. Wheelock jr. Albert Blankert, Ben Broos, Jorgen Wadum. Koninklijk Kabinet van Schilderijen Mauritshuis, Den Haag and Board of Trustees National Gallery of Art, Washington. Uitgeverij Waanders bv, Zwolle. 1995.


Norway

O1. One hundred years of Norwegian painting. Magne Malmanger. – The National Gallery of Oslo – Oslo.1988.
O2. A companion to the collections. Romanticism, realism and art at the turn of the century. Ingvild Pharo and Egil Sagstad. – The National Gallery of Oslo – Oslo 1996.
O3. Highlights in the National Gallery collections. The National Gallery of Oslo. – Oslo 1990.
O4. Edvard Munch I Nasjonalgalleriet. Tone Skedsmo. – The National Gallery of Oslo. – Oslo 1998.
O5. Munch at the Munch Museum Oslo. Marit Lande, Arne Aggum and Gerd Woll. – Scala Books and the Munch Museum Oslo. – Oslo 1998.


Poland

M1. Semper Polonia. L’art en Pologne des Lumières au Romantisme. Sophie Barthélémy, Daniel Beauvois, Ewa Manikowska, Agnieszka Morawinska, Przemyslaw Mrozowski, Andrzej Rottermund. Musée des Beaux-Arts de Dijon, Somogy editions d’art. Paris. 2004.


Portugal

P1. Museu Nacional de Arte Antiga Lissabon. Under the direction of José Luis Gordo Porfirio and Wenzel Jacob - Kunst und Ausstellungshalle der Bundesrepublik Deutschland Bonn GmbH, Museu Nacional de Arte Antiga Lissabon – Bonn. 1999.


Russia

M1. Masterpieces from the Hermitage. Irina Artemieva, Giuseppe Pavanello – Hermitage State Museum Saint Petersburg, Art Media Brussels, Electa Milan, Elemond Editori Associati. 1998.
M2. Chefs d’oeuvre du Musée de l’Ermitage. Introduction by Vitali A. Suslov. Editions Abbeville. Paris. 1996.
M3. Mirror of the Russian Soul. Icons (1400-1750) and paintings and drawings (1880-1945) from the State Historical Museum Pskov. Pieter Roelofs, Serge-Aljosja Stommels, Rima Antipova, Albert Lemmens, Olga Vasiljeva, Olga Volotsjkova. Museum Het Valkhof. Nijmegen. 2004.
M4. Du Tsar à l’Empereur. B. de Montclos, V. Janin, A. Lavrentev, T. Moisseeva, N. Gouseva, I. Bott. Europalia International Brussels. Fonds Mercator Brussels. State Museum and Exhibition Centre ROSIZO. 2005.
M5. La Russie à l’Avant-Garde. Sous la direction de Evguenia Pétrova et Jean-Claude Marcadé. Europalia International Brussels. Fonds Mercator Brussels. State Museum and Exhibition Centre ROSIZO Moscow. Palace Editions. Sabam Belgium. Brussels. 2005.
M6. The Hermitage. 250 Masterworks. Foreword by Mikhail Piotrovsky. Skira Rizzoli Publications Inc. New York. The Hermitage Museum. Saint Petersburg. 2014.


Scotland

C1. Art Treasures of Kelvingrove. H. Stevenson et al. Glasgow City Council (Museums). Scala Publishers. Glasgow. 2003.
C2. A History of Scottish Art. Bill Smith, Selina Skipwith. Merrel Publishers Ltd. The Fleming-Wyfold Art Foundation. London. 2003.


Spain

P1. The Prado. Juan J. Luna. – Scala Publications Ltd. – London 2000.
P2. Highlights of Art. The Thyssen-Bornemisza Museum of Madrid. Taschen GmBH – Köln. 2000.
P3. Museo Nacional Centro de Arte Reina Sofia. The Collection. Paloma Esteban Leal. Belén Galán Martin. Carmen Fernández Aparicio. Aldeasa. Madrid. 2000.
P4. Guía Visual Arte Románico. Jordi Camps, Montserrat Pagès. Museu Nacional d’Art de Catalunya. Barcelona. 2004.
P5. Guide to the Museu Nacional d’Art de Catalunya. Authors co-ordinated by Montserrat Gumà. Museu Nacional d’Art de Catalunya. Barcelona. 2005.
P6. The Thyssen-Bornemisza Collection at the Museu Nacional d’Art de Catalunya. Mar Borobia, Dolores Delgado. Fundación Colección Thyssen-Bornemisza. Madrid. 2004.


Switzerland

V1. Oeuvres de la Fondation Oskar Kokoschka. Véronique Mauron. - Musée Jenisch – Vevey. 1994.
V2. Nach der Natur. Christian Müller. Öffentliche Kunstsammlung Basel and the author. Basel. 2003.
V3. Kunstmuseum Basel. Christian Geelhaar. The Friends of the Kunstmuseum Basel. 1996.


Unites States of America

S1. Great Paintings from the John and Mable Ringling Museum of Art. Anthony F. Janson. The John and Mable Ringling Museum of Art. Sarasota. 1986.
S2. The essential Guide to the Art Institute of Chicago. James N. Wood and Teri J. Edelstein. The Art Institute of Chicago. 1993.
S3. Meisterwerke im J. Paul Getty Museum. Edited by Christopher Hudson. The J. Paul Getty Museum. Los Angeles. 1997.
S4. Le Los Angeles County Museum of Art. Art Européen. J. Patrice Marandel, Claudia Einecke. Fondation BNP Paribas. Los Angeles County Museum of Art. Réunion des Musées Nationaux. Musées et Monuments de France. Paris. 2006.
S5. The San Francisco Museum of Modern Art, 75 Years of looking forward. Edited by Janet Bishop, Corey Keller and Sarah Roberts. SFMOMA. San Francisco. 2009.

Wales

W1. Colour and Light. Fifty Impressionist and Post-Impressionist Works at the National Museum of Wales. Ann Summer with Contributions by Louisa Briggs and Julia Carver. National Museum of Wales. Cardiff. 2005.


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